InFull FramebyDirk Dittmer·2d agoVintage lenses are inferior by most measuresWe have forgotten how difficult photography used to beA response icon2A response icon2
InFull FramebyDirk Dittmer·Jul 8Corner sharpness only matters at infinity — the Siemens starWhat makes a good lens “good” may not matter for your style of compositionA response icon3A response icon3
InFull FramebyDirk Dittmer·Jun 27How photography became a preoccupation of “old men”And why this is not a bad thing.A response icon11A response icon11
InFull FramebyDirk Dittmer·Jun 20The perspective of 43 mm is all the rage now, but why?How we got to the focal lengths we are all usingA response icon6A response icon6
InFull FramebyDirk Dittmer·Jun 6Would you pay $10,000 for a photowalk in India?The booming business of photo travel tours may be worth every pennyA response icon4A response icon4
InFull FramebyDirk Dittmer·Jun 1Three modes of using a rangefinderIt can be as simple as an iPhoneA response icon4A response icon4
InFull FramebyDirk Dittmer·May 9La Jolla in KODAcolor 200There is no difference between Portra and the new Kodacolor film, except the priceA response icon2A response icon2
InFull FramebyDirk Dittmer·May 3When your lens becomes top-heavy, your mind does tooHow using a telephoto lens changes your way of taking picturesA response icon4A response icon4
InFull FramebyDirk Dittmer·Apr 26Using tree portraits to practice manual focusingHow to unlearn the laziness of autofocus and play at minimum focus distanceA response icon5A response icon5
InFull FramebyDirk Dittmer·Apr 19Switching between digital and film photography, like all the timeHow to use both with some rhyme and reasonA response icon1A response icon1